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  <channel>
    <title>Harold Carr  06 2006</title>
    <link>http://www.haroldcarr.com</link>
    <description>Harold Carr</description>
    <language>en</language>

  <item>
    <title>lecture on music</title>
    <link>http://www.haroldcarr.com/2006/06/16#2006-06-16-lecture-on-music</link>
    <description>
&lt;p&gt;
&lt;table&gt;
&lt;tr&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/06/2006-06-16-17-red-rock-rondo-at-mountainwest-songfest/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/06/2006-06-16-17-red-rock-rondo-at-mountainwest-songfest/thumbnails/pict0105.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/06/2006-06-16-17-red-rock-rondo-at-mountainwest-songfest/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/06/2006-06-16-17-red-rock-rondo-at-mountainwest-songfest/thumbnails/pict0156.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/06/2006-06-16-17-red-rock-rondo-at-mountainwest-songfest/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/06/2006-06-16-17-red-rock-rondo-at-mountainwest-songfest/thumbnails/pict0165.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;/tr&gt;

&lt;tr&gt;
&lt;td span=&quot;2&quot;&gt;
&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2006/06/2006-06-16-17-red-rock-rondo-at-mountainwest-songfest/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;/table&gt;
&lt;/p&gt;


&lt;p&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;           for/by Phillip Bimstein&lt;br/&gt;
&lt;br/&gt;
tick&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;   by&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;   tick the&lt;br/&gt;
clock uses&lt;br/&gt;
time&lt;br/&gt;
&lt;br/&gt;
while the story&lt;br/&gt;
of songs is&lt;br/&gt;
told&lt;br/&gt;
&lt;br/&gt;
at one&lt;br/&gt;
&lt;br/&gt;
place about&lt;br/&gt;
another&lt;br/&gt;
&lt;br/&gt;
his words&lt;br/&gt;
about another's&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;harmonica&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
turned into song&lt;br/&gt;
like you like to do it&lt;br/&gt;
take the wheat down&lt;br/&gt;
the way we did it&lt;br/&gt;
about as much out&lt;br/&gt;
as it is in&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;baseball&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
the voice of one man&lt;br/&gt;
selling beer for forty&lt;br/&gt;
years&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;guitar&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
an&lt;br/&gt;
active&lt;br/&gt;
participant&lt;br/&gt;
in the tick&lt;br/&gt;
&lt;br/&gt;
spruce top maple&lt;br/&gt;
sides &amp; back&lt;br/&gt;
steel&lt;br/&gt;
strings&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;ghosts&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
her words his&lt;br/&gt;
    words&lt;br/&gt;
two young girls&lt;br/&gt;
back &amp; forth&lt;br/&gt;
kill on a busted swing&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;   (forever)&lt;br/&gt;
---that deserves a song&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;moo&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
history into story&lt;br/&gt;
&amp;nbsp;&amp;nbsp;  ---an accident&lt;br/&gt;
the cows won't speak&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;detention&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
but&lt;br/&gt;
&lt;br/&gt;
kids&lt;br/&gt;
&lt;br/&gt;
in jail&lt;br/&gt;
&lt;br/&gt;
have plenty to&lt;br/&gt;
say&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;quilts&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
now&lt;br/&gt;
spinning on track four&lt;br/&gt;
pretty quilts&lt;br/&gt;
&lt;br/&gt;
on the&lt;br/&gt;
line&lt;br/&gt;
called the sheriff&lt;br/&gt;
red lights flashing down&lt;br/&gt;
at the junction all&lt;br/&gt;
I want is my&lt;br/&gt;
money&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;mulberry&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
meanwhile, back in&lt;br/&gt;
town, after the first&lt;br/&gt;
hard frost, the leaves&lt;br/&gt;
in mounds on the &lt;br/&gt;
ground---gone&lt;br/&gt;
no place for trees&lt;br/&gt;
anymore&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;frogs&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
slowed way down&lt;br/&gt;
like rocks&lt;br/&gt;
like melody&lt;br/&gt;
in water&lt;br/&gt;
&lt;br/&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;      &lt;em&gt;rancher rap&lt;/em&gt;&lt;br/&gt;
&lt;br/&gt;
sample&lt;br/&gt;
splice&lt;br/&gt;
sing&lt;br/&gt;
loop&lt;br/&gt;
strum&lt;br/&gt;
strike&lt;br/&gt;
&lt;br/&gt;
echo  imitate  bow&lt;br/&gt;
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Hiking the House Range with Phillip</title>
    <link>http://www.haroldcarr.com/2006/06/01#2006-05-24-PinePeak</link>
    <description>
&lt;p&gt;
&lt;table&gt;
&lt;tr&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/05/2006-05-22-26-house-range-with-phillip/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/05/2006-05-22-26-house-range-with-phillip/thumbnails/img_1052.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/05/2006-05-22-26-house-range-with-phillip/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/05/2006-05-22-26-house-range-with-phillip/thumbnails/img_1098.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;/tr&gt;

&lt;tr&gt;
&lt;td span=&quot;2&quot;&gt;
&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2006/05/2006-05-22-26-house-range-with-phillip/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;/table&gt;
&lt;/p&gt;



&lt;center&gt;
		IBEX&lt;br/&gt;
&lt;br/&gt;
		I&lt;br/&gt;
&lt;br/&gt;
    &quot;Letting this indifferent difference come to presence.&quot;&lt;br/&gt;
         ---Maurice Blanchot, &lt;em&gt;Awaiting Oblivion&lt;/em&gt;
&lt;/center&gt;

&lt;p&gt;
No sentences make the mountain.  Only sweat.  Or windy silence.&lt;br/&gt;
A bird---probably with a name---but for now, small---and blue.&lt;br/&gt;
Then voice leading past powerful secrets, towards an&lt;br/&gt;
ancient word that wants to be heard again without speaking.&lt;br/&gt;
All this---bee buzz---flies---bristlecone pine.
&lt;/p&gt;

&lt;p&gt;
Today, no movement, nor waiting.  Instead, open to rock,&lt;br/&gt;
to the fly rubbing its forearms together, to the cawing crow.&lt;br/&gt;
Birds---long, throaty descending whistle---chirps---a cackle---&lt;br/&gt;
while a butterfly flaps its wings without making a sound.
&lt;/p&gt;

&lt;p&gt;
A kind of forgetting to get there---not to be practiced&lt;br/&gt;
on the trail.  The beginning took place when the waning crescent&lt;br/&gt;
moon---just a sliver---proceeded the sun.  Once risen, casting&lt;br/&gt;
long shadows over Confusion Range---west, towards Wheeler Peak&lt;br/&gt;
on the horizon.
&lt;/p&gt;

&lt;p&gt;
Closer at hand, Notch south, Swasey north,&lt;br/&gt;
Pine &amp; Howell between.  A mutual respect for solitude&lt;br/&gt;
rather than &quot;go there&quot;.  To be here without leaving.&lt;br/&gt;
A kind of 2nd existence closer to the cliffs that seem&lt;br/&gt;
somehow opposed to life.  Peeing on dirt---digging the dung hole.
&lt;/p&gt;

&lt;p&gt;
Jets pass overhead.  Their absence signifies unknown news.&lt;br/&gt;
Rocks exist side-by-side, touching, unconcerned with&lt;br/&gt;
each other.  Even when gone they're here---snow, rain, sun---&lt;br/&gt;
as far as the eye can see.
&lt;/p&gt;

&lt;p&gt;
At night, our galaxy rising like clouds over the east horizon.&lt;br/&gt;
The steam from the tea kettle---coyote's flaming tail.&lt;br/&gt;
Back to rock---time in three dimensions.  Or the night&lt;br/&gt;
sky---all time at once.  Galaxies like grains of sand in the&lt;br/&gt;
empty form of a very large number.
&lt;/p&gt;

&lt;p&gt;
A coincidence between place &amp; attention.  Again, back&lt;br/&gt;
to the equality of rock---the absence of a center---roots splitting&lt;br/&gt;
even the hardest in two, or four, or more---still equal to itself &amp; all.
&lt;/p&gt;

&lt;p&gt;
Blooming yarrow whose stalks portend the beginning of an&lt;br/&gt;
endless past.  What response to the tail-less lizard&lt;br/&gt;
or the endless sun but the dry lakebeds in the&lt;br/&gt;
desert below or snowtipped peaks at points on the&lt;br/&gt;
circle of the horizon---only blocked, to the south, by the&lt;br/&gt;
sheer cliff face of Notch Peak.  Breathing confirms it&lt;br/&gt;
is there, just as, earlier, sweat &amp; strong heartbeats say this&lt;br/&gt;
is no illusion surpassed by itself.  The presence of this place&lt;br/&gt;
even when gone.  No need for a word to be here.
&lt;/p&gt;

&lt;p&gt;
Vast is a word.  Empty another.  An emptiness filled with&lt;br/&gt;
motionless motion.  Starlings surf the ridge---crows soar&lt;br/&gt;
up &amp; down the cliffs forgetting eternity.  It started in&lt;br/&gt;
the east and moved through the blue---heating rock with its silent&lt;br/&gt;
motion.  Cars moving slowly on the highway below, jets far&lt;br/&gt;
overhead, and near at hand, an ant carries off a speck of lunch&lt;br/&gt;
larger than itself.
&lt;/p&gt;

&lt;p&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Clouds &amp; contrails break the blue.  Jets&lt;br/&gt;
break the silence of the buzzing flies.  Gaze glances off&lt;br/&gt;
bristlecone pine into words that have never met them.&lt;br/&gt;
In other words, the high cirrus dimming the strength of the sun&lt;br/&gt;
as it descends to the west---the west only in the abstract poverty&lt;br/&gt;
of words.  Still it continues down toward Mt. Morain.
&lt;/p&gt;

&lt;center&gt;
		 II&lt;br/&gt;
&lt;br/&gt;
    &quot;Keeping watch over that which is not watched over.&quot;&lt;br/&gt;
         ---Maurice Blanchot, &lt;em&gt;Awaiting Oblivion&lt;/em&gt;
&lt;/center&gt;

&lt;p&gt;
The difference between memory &amp; mountain.  The temperature&lt;br/&gt;
changes from moment-to-moment within an overall expected&lt;br/&gt;
trajectory.  Shadows forming of the eastern slopes.  Granite, Limestone.&lt;br/&gt;
Somewhere an ocean once here.  The visible trace left is&lt;br/&gt;
the face of Notch Peak.  A visible absence.  The presence of&lt;br/&gt;
something long gone---or not so long ago---and, perhaps, again.&lt;br/&gt;
Each layer an indifferent difference forgetting the life&lt;br/&gt;
that gives it life now.
&lt;/p&gt;

&lt;p&gt;
The attraction of expanse---a kind of gravity&lt;br/&gt;
of mountains or vertigo of cliffs---beckons a presence&lt;br/&gt;
it does not need nor know.  The road here to where&lt;br/&gt;
the road comes before it existed.  The way here is also&lt;br/&gt;
the way home---but not yet---another night approaches&lt;br/&gt;
with all the time in the world.  Distances disappear.
&lt;/p&gt;

&lt;p&gt;
The portion of space causing time to reappear---suspended&lt;br/&gt;
between then &amp; now---occupying all distance present everywhere.&lt;br/&gt;
A beetle crossing the same ground as the earlier ant casting&lt;br/&gt;
a long shadow in the late afternoon sun.  A moth on a rock&lt;br/&gt;
vibrating its horizontal wings---then gone in a moment of&lt;br/&gt;
inattention.
&lt;/p&gt;

&lt;p&gt;
Four fragments further along a future far from here---a place&lt;br/&gt;
different but no less identical.  And, like last night,&lt;br/&gt;
mosquitoes in the last hour of sun.
&lt;/p&gt;

&lt;p&gt;
Slowly the desert disappears&lt;br/&gt;
in darkness---finally only lit by stars turning overhead.
&lt;/p&gt;

&lt;p&gt;
Morning---Venus---moon.&lt;br/&gt;
Later, contrail shadow touching ground.
&lt;/p&gt;</description>
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